the magnum objective; an extention of curiosities
1962 Bruce Davidson /1958 Philippe Halsman.
The Magnum photographic cooperative, established in the aftermath of World War II, stoked the flames for an accumulating body of work that has now become one of the most impressive archives in existence. For founding members Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour, the cooperative represented a means of liberty; its members for the first time had exclusive copyrights over negatives, as well as the freedom and independence to implement management decisions over their work.
There have been two Magnum publications that have recently emblazoned my eye with desire.
(1) Magnum Magnum, is a celebration of the group’s 60th anniversary. Available in the either epic or compact editions, in terms of sheer content, this is possibly one of the most magnificent Magnum compilations to date.
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(2) New York, published by the esteemed luxury house Gloria, is erected in a casing set to replicate a skyscraper, and features 1,5000 images over 756 pages. Pure lust for NYC lovers and classic photography buffs alike. The publication has been devised into three distinct editions, Columbus (limited to 100 units), Liberty (limited to 250 units) and Lenape (500 units) with each of these including exclusive archival prints from various Magnum members. Featured photographers include Annie Leibovitz, Helmut Newton, Alfred Stieglitz and Diane Arbus. Nicely done.
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